Skip to main content

Suited for Space: the development of astronautical fashion


On August 22, 2013, I wrote in the blog “Spacewalker almost drowns from water in his helmet” that Italian astronaut, Major Luca Parmitano, had technical problems with water seeping into his helmet on July 16 this year as he was on his second space walk at the International Space Station. NASA’s initial investigations trace the problem to his backpack which contains the life-support equipment.

I am currently in Washington DC, where I visited the Smithsonian National Air and Space Museum and the exhibition “Suited for Space.” The exhibition, continuing until December 2, 2013, displays the history and development of the space suit, and accessories, worn by astronauts from the 1960s to present day. From spacesuits to backpacks to helmets and gloves, the museum shows the development through photographs and even x-rays of suits—from the Freedom 7 Suit of 1961 to the 1968 Apollo Suit and Skylab 3 Suit of 1973.


The first helmets were extremely restrictive. Astronauts could barely move their heads. And they certainly couldn’t see their feet. Now helmets enable astronauts to see from side to side. A feed port on the side of a helmet has valves for emergency food or water intake, and channels at the back are for air flow. Gloves developed over time to include rubber and neoprene fingertips to protect the astronauts’ hands, but also enable them to feel objects.



Over time spacesuits allowed greater arm movement and leg movement, as well as technical advances and lots of pockets to keep specimens collected the moon from floating in space. In some suits, over 20 layers of material protect the astronaut and contain in-built technological instruments. Until recently, NASA could see inside space clothing only by peering through the neck or the wrist with a flashlight. At best, NASA could only guess at the state of a suit’s interior. X-rays, such as the one photographed of Alan Shepard’s Apollo 14 suit, make it possible to examine the interior construction to see its wear-and-tear and effects of space travel.



“Suited for Space” is just one of the many exhibitons at the Smithsonian National Air and Space Museum—all free!







MARTINA NICOLLS is an international aid and development consultant, and the author of:- Similar But Different in the Animal Kingdom (2017), The Shortness of Life: A Mongolian Lament (2015), Liberia’s Deadest Ends (2012), Bardot’s Comet (2011), Kashmir on a Knife-Edge (2010) and The Sudan Curse (2009).

Comments

Popular posts from this blog

Pir-E-Kamil - The Perfect Mentor by Umera Ahmed: book review

The Perfect Mentor pbuh  (2011) is set in Lahore and Islamabad in Pakistan. The novel commences with Imama Mubeen in medical university. She wants to be an eye specialist. Her parents have arranged for her to marry her first cousin Asjad. Salar Sikander, her neighbour, is 18 years old with an IQ of 150+ and a photographic memory. He has long hair tied in a ponytail. He imbibes alcohol, treats women disrespectfully and is generally a “weird chap” and a rude, belligerent teenager. In the past three years he has tried to commit suicide three times. He tries again. Imama and her brother, Waseem, answer the servant’s call to help Salar. They stop the bleeding from his wrist and save his life. Imama and Asjad have been engaged for three years, because she wants to finish her studies first. Imama is really delaying her marriage to Asjad because she loves Jalal Ansar. She proposes to him and he says yes. But he knows his parents won’t agree, nor will Imama’s parents. That

Flaws in the Glass, a self-portrait by Patrick White: book review

The manuscript, Flaws in the Glass (1981), is Patrick Victor Martindale White’s autobiography. White, born in 1912 in England, migrated to Sydney, Australia, when he was six months old. For three years, at the age of 20, he studied French and German literature at King’s College at the University of Cambridge in England. Throughout his life, he published 12 novels. In 1957 he won the inaugural Miles Franklin Literary Award for Voss, published in 1956. In 1961, Riders in the Chariot became a best-seller, winning the Miles Franklin Literary Award. In 1973, he was the first Australian author to be awarded the Nobel Prize for Literature for The Eye of the Storm, despite many critics describing his works as ‘un-Australian’ and himself as ‘Australia’s most unreadable novelist.’ In 1979, The Twyborn Affair was short-listed for the Booker Prize, but he withdrew it from the competition to give younger writers the opportunity to win the award. His autobiography, Flaws in the Glass

The Beggars' Strike by Aminata Sow Fall: book review

The Beggar’sStrike (1979 in French and 1981 in English) is set in an unstated country in West Africa in a city known only as The Capital. Undoubtedly, Senegalese author Sow Fall writes of her own experiences. It was also encapsulated in the 2000 film, Battu , directed by Cheick Oumar Sissoko from Mali. Mour Ndiaye is the Director of the Department of Public Health and Hygiene, with the opportunity of a distinguished and coveted promotion to Vice-President of the Republic. Tourism has declined and the government blames the local beggars in The Capital. Ndiaye must rid the streets of beggars, according to a decree from the Minister. Ndiaye instructs his department to carry out weekly raids. One of the raids leads to the death of lame beggar, Madiabel, who ran into an oncoming vehicle as he tried to escape, leaving two wives and eight children. Soon after, another raid resulted in the death of the old well-loved, comic beggar Papa Gorgui Diop. Enough is enou