The Wes Anderson exhibition, the first dedicated to the work of American filmmaker Wes Anderson, follows the chronological evolution of his work, from his first steps as a self-taught director in the 1990s to his most recent works and the most awarded worldwide (The Grand Budapest Hotel). The exhibition, from 19 March to 27 July 2025 is held at Cinematheque in Paris.
The exhibition explores Wes Anderson’s almost complete filmography and the meticulous work carried out before filming with his team: cinematographer Robert Yeoman, screenwriter Roman Coppola, composer Alexandre Desplat, and production designer Adam Stockhausen.
Visitors can see the hand-painted model of the Darjeeling Limited train; the books from Moonrise Kingdom; the painting Boy with Apple that sits in the dressing room of The Grand Budapest Hotel; the puppets from Fantastic Mr. Fox and Asteroid City; the miniatures of Simon Weisse; the work of graphic designer Erica Dorn; and the incredible collections of costumes – notably those designed by multi-Oscar-winning costume designer Milena Canonero.
The films in the exhibition include Bottle Rocket (1996), Rushmore (1998), The Royal Tenenbaums (2001), The Life Aquatic with Steve Zissou (2004), The Darjeeling Limited (2007), Fantastic Mr. Fox (2009), Moonrise Kingdom (2012), The Grand Budapest Hotel (2014), Isle of Dogs (2018), The French Dispatch (2021), and Asteroid City (2023).
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MARTINA NICOLLS is an Australian author and international human rights-based consultant in foreign aid evaluations and audits, education, psychosocial support, resilience, peace and stabilization, and communication, including script writing and voice work. She lives in Paris. Her latest books are: If Paris Were My Lover (2025), Tranquility Mapping (2025), Moon, Mood, and Mind Mapping Tracker (2025), and Innovations within Constraints Handbook (2025). She is the author of: The Paris Residences of James Joyce (2020), Similar But Different in the Animal Kingdom (2017), The Shortness of Life: A Mongolian Lament (2015), Liberia’s Deadest Ends (2012), Bardot’s Comet (2011), Kashmir on a Knife-Edge (2010) and The Sudan Curse (2009).
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