Skip to main content

The Form of Color from Tintoretto to Canaletto: National Gallery of Georgia





From 27 September to 20 November 2019, the Georgian National Museum and the Embassy of Italy in Georgia present the exhibition "The form of color from Tintoretto to Canaletto" on loan from Trieste's National Gallery of Ancient Art. 

In Trieste, with trade and commerce around the ‘free port’ established three hundred years ago in 1719, came the interest in art collection. It focused initially on European art, and later included ancient art. The Trieste National Gallery of Ancient Art was inaugurated in 1957. This exhibition promotes the works of the gallery with a new interpretation, providing the history of Italian art through the ‘lens of the main art that developed in Northern Italy between the 16th-18thcenturies.’

The Dimitri Shevardnadze National Gallery, part of the Georgian National Museum group, is displaying three centuries of Italian painting – from the late Renaissance to the Rococo.

There are 55 artworks of Tintoretto, Guerchino, Bernando Strozzi, Antonio Canaletto, Giovanni Lorenzo Bernini and other painters from the major painting schools of Northern Italy from the 16th-18thcenturies, such as the Giuseppe Maria Crespi (from Bologna); Giovanni Battista Paggi, Gioacchino Assereto, and Giovanni Francesco Castiglione (from Genoa); Pier Francesco Mazzucchelli and Pier Francesco Cittadini (from Lombardy); and Bonifacio de' Pitati, Carlo Caliari, Francesco Maffei, and Nicola Grassi (from Veneto).
The exhibition showcases a broad range of styles and the main genres of the era: portrait, landscape, and still-life. Apart from historical, allegorical-religious and mythological paintings, there are also sketches of Venice by Antonio Canaletto, and painting by Andrea Locatelli, Daniel Seiter, Johann Heinrich Schoenfeld, Peter Paul Rubens, Lorenzo Lippi, and Domenico Robusti.
The exhibition "The Form of Color from Tintoretto to Canaletto" is part of the "Vivere ALL'italiana" program. Exhibitions launched in Georgia within the scope of the program have already attracted more than 150,000 visitors. 
The program of Italian Art exhibitions in Georgia is the result of close cooperation between Italy and Georgia. From Italy: Ministry of Foreign Affairs and International Cooperation and The Embassy of Italy in Tbilisi.  From Georgia: The Ministry of Education, Science, Culture and Sport of Georgia and the Georgian National Museum. The Italian company Global Project Consulting is also supporting the exhibition.

Dorothea and Catherine, circa 1540-1550

Dorothea and Catherine, circa 1540-1550

Tintoretto, Portrait of a Man, circa 1550
Giovanni Francesco Castiglione, Shepherd Playing the Bagpipe, 17th century

Johann Heinrich Schoenfeld, The Taste, 17th century

Johann Heinrich Schoenfeld, The Smell, 17th century

Pier Francesco Cittadini, Candied and Fresh Fruit, 17th century

Peter Paul Rubens, Madonna and Child Enthroned, Flanked by Angels, 17th century
Pietro Muttoni, Amorous Scene, 17th century

Saint Francis and the Angel, 17th century

Andrea Locatelli, View of the Arch of Titus, early 18th century

Giuseppe Maria Crespi, The Sorrows at the Foot of the Cross, mid-18th century



Antonio Canaletto, View of Rome with the Church of San Gregorio Al Celio





MARTINA NICOLLS is an international aid and development consultant, and the author of: Similar But Different in the Animal Kingdom (2017), The Shortness of Life: A Mongolian Lament (2015), Liberia’s Deadest Ends (2012), Bardot’s Comet (2011), Kashmir on a Knife-Edge (2010) and The Sudan Curse (2009).


Comments

Popular posts from this blog

The acacia thorn trees of Kenya

There are nearly 800 species of acacia trees in the world, and most don’t have thorns. The famous "whistling thorn tree" and the Umbrella Thorn tree of Kenya are species of acacia that do have thorns, or spines. Giraffes and other herbivores normally eat thorny acacia foliage, but leave the whistling thorn alone. Usually spines are no deterrent to giraffes. Their long tongues are adapted to strip the leaves from the branches despite the thorns. The thorny acacia like dry and hot conditions. The thorns typically occur in pairs and are 5-8 centimetres (2-3 inches) long. Spines can be straight or curved depending on the species. MARTINA NICOLLS is an international aid and development consultant, and the author of:- Similar But Different in the Animal Kingdom (2017), The Shortness of Life: A Mongolian Lament (2015), Liberia’s Deadest Ends (2012), Bardot’s Comet (2011), Kashmir on a Knife-Edge (2010) and The Suda...

Hop on hop off bus tourism comes to Tbilisi, Georgia

City Sightseeing buses have arrived in Tbilisi. The iconic red double-decker buses, a feature of many cities around the world since the company was established in Seville, Spain in 1999, is now in six continents and almost 100 cities. The company established its Tbilisi business in November 2013, with its operations commencing in February 2014. The 90-minute tour stops at 11 major locations in Tbilisi (with 2 to 5 minute waiting times at each location): the Old City (where it commences), Freedom Square, Rose Revolution Square, Marjanishvili Square, the Dry Bridge, Konka, Avlabari, Metekhi, Akhundov Museum, the Sulfur Baths, and European Square. Passengers can hop off at any stop and see the sights, hopping back onto the next bus at any time. Alternatively, passengers can remain on the bus for the whole tour and take photographs when the bus stops at each location. There are one day (24-hour) passes (for 35 lari – about $20) and 48-hour passes for 55 lari, with family d...

The Knight in the Panther Skin by Shota Rustaveli (2015 translation): book review

The Knight in the Panther Skin (12th century, this edition 2015) is a recent translation by American poet and author, Lyn Coffin. The author, Shota Rustaveli, is Georgia’s most loved poet. This poem is mammoth, a magnum opus – it is 1,656 verses long, separated by chapters. But readers, don’t give up, because every verse is worth reading. It is akin to 1001 Arabian Knights, Geoffrey Chaucer’s The Canterbury Tales, or Shakespearean poetry. King Rostevan of Arabia has a daughter, Tinatin. She loves the knight Avtandil and he loves her. Verse 368 from Avtandil: ‘The doctor’s could do nothing. A dark twilight on my heart now pressed, I was on fire because of love, but nobody knew or guessed. They blamed my blood. The king decided bleeding my arm would be best; I let it be done to hide the suffering I had not confessed.’ But a knight in panther skin is seen weeping, and subsequently kills the king’s soldiers, sparing the king. Before Tinatin weds Avtandil she r...