The spring colours of Miro

My apartment has prints by the Spanish artist Joan Miró i Ferrà. Miró (1893-1983), born in Barcelona, was also a sculptor and ceramist. His work has been interpreted as Surrealism, a ‘sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride,’ according to the Tate Art Gallery in London.

In numerous interviews from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and declared an ‘assassination of painting’ in favour of upsetting the visual elements of established works. They look a bit like springtime to me.

MARTINA NICOLLS is an international aid and development consultant, and the author of: The Paris Residences of James Joyce (2020), Similar But Different in the Animal Kingdom (2017), The Shortness of Life: A Mongolian Lament (2015), Liberia’s Deadest Ends (2012), Bardot’s Comet (2011), Kashmir on a Knife-Edge (2010) and The Sudan Curse (2009).

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