My 2011 novel, Bardot’s Comet, was a finalist in the 2013 National Indie Excellence Book Awards announced on May 22, 2013. Bardot’s Comet was a finalist in the Cross-Genre category.
Cross-genre
is a term in fiction that blends themes and elements from two or more different
genres. For example, the Twilight series can be categorized as a mixture of
three genres: paranormal, fantasy, and romance. Bardot’s Comet is a combination
of the mystery genre with suspence, crime, science, and historical fiction.
Why
write across genres? Writing across genres is increasingly becoming more
popular with many authors. Historical fiction, in particular, lends itself to
the inclusion of other themes—in the case of Bardot’s Comet, set in The Sixties
in Adelaide, South Australia, these themes include real events, scientific
theories, films, dress codes, social conditions, and the morals of the times.
The rise of feminism, uni-sex dress codes, the Vietnam War, the moon landing, the
religion versus science debate, and Youth Quake are all themes in Bardot’s
Comet.
With
readers becoming more sophisticated in their reading choices, complex themes
are often best handled using multiple genres, providing depth, interwoven issues,
current affairs, and historical realities. For me, the starting point was the
period 1966-1969, one of the most progressive periods in history in terms of science
and social advances. Hence, Bardot’s Comet is historical fiction with science
at the core—specifically mathematics and astronomy.
Bardot's Comet
was my first foray into the cross-genre category because my other novels are
specifically about a country context, such as with The Sudan Curse (2009),
Kashmir on a Knife-Edge (2010), and Liberia’s Deadest Ends (2012).
I have provided a link
below with a free 30-page download sample PDF of Bardot’s Comet. The Kindle and
Barnes &Noble links are on the last page.
Bardot’s Comet is also available at
amazon.com or directly through my publisher at
http://sbpra.com/martinanicolls
http://sbpra.com/martinanicolls
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