Far from the Eiffel Tower and Notre-Dame, is one of Paris’s most surprisingly engaging museums: Le Musée de La Poste – a museum about the French mail.
France’s postal history started in the 15th century with Louis XI (1423-1483) – “Louis the Prudent” – establishing a royal postal service for official use. By the 19th century, the postal service became a vital connection across France’s countryside and colonies. What began as a state-controlled service of kings evolved into a government service for ordinary people.
France’s first public postal service was founded in 1576 – 449 years ago. The famous yellow La Poste mail vans and mopeds are now iconic symbols of French daily life. The symbol for La Poste is the horn, or bugle, which is the historic symbol of the post rider—hence the classic logo of La Poste.
The museum was originally opened in 1946 and completely renovated and reimagined in 2019. It is dedicated to chronicling the quirky and astonishing history of postal communication in France, from animals to airmail and all things in between and beyond – from horseback couriers and pigeon post to telegraphs and digital messaging.
The museum in Montparnasse in the 14th arrondissement has three floors, telling the story of three journeys: mail in motion, the human connection, and the world of stamps. There is also agift shop with stamp-themed items and retro stationery.
Visitors start on the top floor, on the 4th floor accessed by an elevator, and work their way down to the ground floor.
Floor 4 has the mail in motion exhibits called The Conquest of the Territory – Everywhere and Ever Faster. It shows the evolution of delivery: horse-drawn mail coaches, pigeons, uniformed couriers, post boxes, and even a deconstructed mail plane wing suspended from the ceiling.Some pigeons were awarded official medals for their service in wartime communication.
Floor 3 has the human connection exhibits called Women, Men, and Professions – Ever Closer. The focus is on the people behind the post – the mail rooms and sorting machines, the letter writers, and those who waited for the post. There is a Braille typewriter and materials for visually impaired letter writers, and hand-written letters from soldiers, artists, and citizens across time. There is also a wall of anonymous love letters — short, emotional notes – andconfessions.
Floor 2 has the world of stamps exhibits called The Post, Art, and the Stamp – Philately and Postal Art. Even if philately isn’t your thing, this floor is filled with miniature art with rare and beautiful French stamps, some dating over a century, reflecting history, politics, and the French identity. There are many creative art installations that reinterpret envelopes, mailboxes, and the human connection.
Floor 1 is the gift store; the ground floor is the entrance; and the basement has the bathrooms.
This museum is not about French royalty or military battles, or the French revolution. It is about the ordinary and extraordinary world of the effort and evolution of mail delivery. It’s fascinating!
MARTINA NICOLLS
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MARTINA NICOLLS is an Australian author and international human rights-based consultant in education, healing and wellbeing, peace and stabilization, and foreign aid audits and evaluations. She lives in Paris. Her latest books are: If Paris Were My Lover (2025) and Innovations within Constraints Handbook (2025).
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