The Georgian National Museum in Tbilisi, in conjunction with the Korneli
Kekelidze National Centre of Manuscripts, is holding an exhibition called
‘Medieval Treasury’ in the new space next to the permanent Treasury exhibition
rooms in the museum’s basement.
The exhibition includes pre-Christian and Georgian medieval art, which
reflects Georgia’s statehood and national identity. It presents 10th-18th
century manuscripts preserved at the National Centre of Manuscripts. It includes
the Alaverdi Four Gospels (1054), which is the only Georgian manuscript
containing a Mandylion – an impresson of the face of the saviour on the shroud.
Made of leather and metal, the cover is decorated with precious gemstones and
cloisonne enamel images of St. George.
The exhibition also includes the Vani Four Gospels from the 12th-13th
century, commissioned by Queen Tamar. It is richly ornate with decorations and
precious stones.
There is also the astrological treatise with the zodiac signs and a lunar
calendar comprising different types of religious texts, including several
astrological treatises translated from Arabic.
The exhibition represents the whole context of Georgian Christian art,
taking its origins from pre-Christian art – with the earliest images of the
Georgian alphabet, mosaics from Bitchvinta (5th-6th century), embroidery
(12th-18th century), 12th century Epimanikia from Katskhi, and a 16th century
embroidery reproduction of the fresco from Ubisa temple. The exposition
highlights a 12th century mosaic of St. George and a13th century icon of
Archangel from Matskhvarishi, and 14th-16th century icon ensembles from Ubisa,
Urbnisi, and Shiomgvime.
MARTINA NICOLLS is an international
aid and development consultant, and the author of:- The Shortness of
Life: A Mongolian Lament (2015), Liberia’s Deadest Ends (2012), Bardot’s Comet
(2011), Kashmir on a Knife-Edge (2010) and The Sudan Curse (2009).
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