'Beauty
and Strength Portraits' by Michael Riley are a series of black and white
portrait photographs exhibited at Canberra’s National Portrait Gallery from 21
March to 17 August 2014.
Michael
Riley (1960-2004), a Wiradjuri and Kamilaroi man, is a well-known photographer, filmmaker, and video artist. The exhibited photographs
of First Nations men and women in Australia were taken between 1984 and 1990 in
Sydney and printed in 2013.
Riley
wrote in 1989: “I just want to show young Aboriginal people living in the
cities today; a lot of them are very sophisticated and a lot of them are very
glamorous. A lot of them have an air of sophistication which you don’t see
coming across in newspapers and television programs.” This can be seen in the
stunning close up shots, especially of Hetti Perkins (1990). Hetti Perkins
(1965-) is a daughter of activist Charles Perkins and German-born
Eileen Munchenberg, and is an art curator.
Hetti
Perkins of Art+Soul wrote in 2010 that “Michael’s style of taking portraits was
to bring all the ingredients together and then let events take their natural
course, while he would appear to just sit back and observe.”
Riley
studied photography at Sydney College of Arts and was selected in 2004 for the
permanent installation of First Nations art at the Musee du Quai Branly
in Paris. The National Portrait Gallery purchased Riley’s portraits for this
collection in 2013. The portraits are digitally printed pigment ink photographic
prints produced from Riley’s originals. There are 15 portraits in the
exhibition.
MARTINA NICOLLS
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MARTINA NICOLLS is an international human rights-based consultant in education, healing and wellbeing, peace and stabilization, foreign aid audits and evaluations, and the author of: The Paris Residences of James Joyce (2020), Similar But Different in the Animal Kingdom (2017), The Shortness of Life: A Mongolian Lament (2015), Liberia’s Deadest Ends (2012), Bardot’s Comet (2011), Kashmir on a Knife-Edge (2010) and The Sudan Curse (2009).
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