The Marsh Lions: The
Story of an African Pride (1982, this edition 2012) is set in the Masai Mara
Game Reserve in Kenya.
It is the true story
of a pride of lions, followed and observed for two years from January 1978 to
January 1980. There is a Postscript from February 1980 to September 1981, and
this edition has an epilogue written in 2011.
Readers can follow the
daily lives of the Marsh lions, which begins with Dark Mane, Old Man, Young
Girl, Notch, Shadow, and Mkubwa (Big). Then comes Scar, Brando, Old Girl, and
lions of other prides. But it is also the story of the wild dogs, cheetahs,
leopards, hyenas, warthogs, elephants, elands, and a myriad of birds, all
interacting in their communal kingdom. It is also the story of droughts and
rains.
It describes the
massive annual migration in June and July when thousands of wildebeest and
zebra leave the Serengeti National Park in neighbouring Tanzania and cross the northern
border into Kenya. In 1948 land between the Mara River and the Tanzanian border
were declared a national reserve, which expanded in 1961.
In many respects the
late 1970s and early 1980s was the ‘golden age’ for lions in Kenya when land
was abundant and people were scarce.
Beautifully told with
sentences such as, ‘In the first golden hour after sunrise, when the sentinel
olive trees and flat-roofed acacias flung their long shadows across the
grasslands, a Masai youth was walking over the dusty plains’ and the
description of meat-eating marabou storks: ‘Hideously ugly, with scabby heads,
pendulous neck pouches and leering Skid Row eyes, they stand for hours in the
trees, watching for corpses in the river or surveying the Marsh for leftover
kills.’
This is the African
equivalent of the 1972 British book ‘Watership Down’ by Richard Adams
(1920-2016), but infinitely more real, and more unpredictable. Every birth and death
and struggle for life is captured in poetic, evocative writing, with amazing
glossy colour photographs.
MARTINA NICOLLS is an international
aid and development consultant, and the author of:- Similar But Different
in the Animal Kingdom (2017), The Shortness of Life: A Mongolian Lament
(2015), Liberia’s Deadest Ends (2012), Bardot’s Comet (2011), Kashmir on a
Knife-Edge (2010) and The Sudan Curse (2009).
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