The Image section of Dawn published
an article on February 22, 2016, with the long headine: ‘I’ve been saving money
to make a film for 15 years, says Bachaana
director Nasir Khan.' Has he really been making a film for 15 years?
The article interviews director Nasir Khan on his first movie, Bachaana, filmed in Mauritius. I have been to Mauritius and it's an ideal island location to make a movie. It’s a
romantic comedy thriller. Khan says ‘I’ve wanted to make a movie for the last
30 years, so Bachaana didn’t happen
overnight. I’ve been saving up money to make a film for the last 15 years.’
What Khan actually means is that he saved money for 15 years before he made
the film. The film didn’t take 15 years to make. The article headline is
therefore a quote from the director.
However, for clarity, the preferred way to ensure that the emphasis is on
the correct verb is to rearrange the sentence. The current word order places
the emphasis on the verb ‘to make’ and therefore ‘for 15 years’ is associated
with the phrase ‘to make a film’ – he has been saving money to make a fim for
15 years.
By placing the phrase ‘for 15 years’ in association with ‘have been saving’
there is a completely different interpretation. For example: ‘I’ve been saving
for 15 years to make a film.’ Ah, so now we know exactly what he means – and as
Khan said – it didn’t happen overnight!
Scorecard for Dawn is 99% - the author of the article was not confusing the
message – the author was the messenger who quoted the director. Therefore, in
this case, we can’t shoot the messenger. As for the director, after 15 years,
anyone would be excited to finally have the film finished and ready for release
on February 26 in Pakistan. Besides, the film director has responsibility for
the creative direction of the movie, so even if he is not behind the camera, he
is still ‘calling the shots’ and he can shoot it any way he wishes. Therefore,
in this case, we can’t shoot the director either.
MARTINA NICOLLS is the author of:-
The Shortness of Life: A Mongolian Lament (2015), Liberia’s Deadest Ends
(2012), Bardot’s Comet (2011), Kashmir on a Knife-Edge (2010) and The Sudan
Curse (2009).
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