Incommensurable
– photomedia in the era of globalisation – is an exhibition at the Australian
National University’s Drill Hall Gallery in Canberra. The exhibition started
today, 23 February 2018, and will continue until 8 April.
Six
artists are contributing to the exhibition, curated by Terence Maloon: Nick
Danziger, Merilyn Fairskye, Ciara O’Brien, David Stephenson, Martin Walch, and
Anne Zahalka.
The exhibition provides ‘conflicting perspectives that highlight some of the more troubling aspects of our globalised age.’
by Ciara O’Brien |
During
the Artists in Conversation, on 23 February, convened by Terence Maloon, the
artists Merilyn Fairskye, David Stephenson and Anne Zahalka discussed their
works.
Maloon
described the evolution of globalisation since the 1980s depicted in the
artists’ works as ‘arresting visions and perspectives’ showing a ‘staggering
way of raising questions about land, the caring for land …’
Merilyn
Fairskye’s Ground Zero (first Soviet atomic bomb test, 7.00am, 29 August 1949,
The Polygon, Kazakhstan), a 2015 archival ink pigment print, and Radiant
2015-2017, a single-channel vertical HD video installation (duration 11:40 minute
loop) both show the ‘terminal landscape’ and ‘nuclear cycle.’
by Merilyn Fairskye |
by Merilyn Fairskye |
by Merilyn Fairskye |
Anne
Zahalka's 2004 series of ink pigment prints (lightjet prints) reference popular
culture, ‘re-imagining nature’ showing ‘stereotypes of iconic Australian
folklore’ through digitized images.
by Anne Zahalka |
by Anne Zahalka |
by Anne Zahalka |
David
Stephenson’s photographic images show globalisation through images of major
cities, such as Sydney from Cremorne Point (2010).
by David Stephenson |
by David Stephenson |
The
over-arching theme of Documentary Photography – or photojournalism – was also discussed.
This included the stylistic position that was ‘not particularly truthful’
through black and white images, framed and window-mounted photographs, and
taking liberties with the ‘frequent use of disjointed’ and ‘digified’ images in
an attempt to ‘disrupt the documentary.’
MARTINA NICOLLS is an international aid and development consultant, and the author of:- Similar But Different in the Animal Kingdom
(2017), The Shortness of Life: A Mongolian Lament (2015), Liberia’s Deadest
Ends (2012), Bardot’s Comet (2011), Kashmir on a Knife-Edge (2010) and The Sudan
Curse (2009).
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