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VERSUS - Multimedia exhibition of Zurа Arabidze in Georgia



The Museum of Modern Art (MOMA) in Tbilisi, Georgia, is exhibiting the works of Zura Arabidze from 9 November to 10 December 2018.

Supported and organized by RUARTS FOUNDATION, and curated by Khatuna Khabuliani, Zura Arabidze’s project explores freedom and the possibility of choice. ‘Individual perception of the world is a complex and controversial process with its conflicts and subjectivity, and the contradiction is always accompanied by new energy, which can turn into an artistic forma,’ says the curator. 

The individual worldview is formed as a result of complex processes and is never unshakable - it always undergoes stress with different manifestations of the chaos and instability existing outside. The individual worldview is changeable and forever changing. 

Zura Arabidze’s multimedia installation is a visualization of the complex relationship of personal and public aspects. ‘By contrasting colours, Arabidze conveys the theme of contrast. It rests on the foundation of monochrome art, where each colour is independent, lively, and dynamic. The contrasting colours show enmity and the life of a person who is in perpetual interaction with the world.’

The installation elaborates several main themes: the barbed wire and the mirror surface symbolically represents the desire of consciousness for freedom and obstacles created by dogmas along this path. The space represents the reality overloaded with video images, information, the introduction of new values and the accompanying pressure, while the trees in the metal structure indicate an environmental disaster, the absence of future. The exposition is interactive and offers the visitor a special space for reflection on the personal and public aspects, for rethinking and expressing one’s own experience.





































MARTINA NICOLLSis an international aid and development consultant, and the authorof:- Similar But Different in the Animal Kingdom(2017), The Shortness of Life: A Mongolian Lament (2015), Liberia’s Deadest Ends (2012), Bardot’s Comet (2011), Kashmir on a Knife-Edge (2010) and The Sudan Curse (2009).

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