Skip to main content

Exotic Aliens: the Lion & the Cheetah in India by Valmik Thapar: book review


The tiger and the leopard are extensively documented in the Indian subcontinent, but what about the lion and the cheetah? Exotic Aliens: the Lion and the Cheetah in India (2013) by Valmik Thapar, with contributions by Romila Thapar and Yusuf Ansari, explores the question – Although the lion and the cheetah were embedded in the art, culture and religions of India, are there any conclusions we can draw about the presence of these two animals on the ground through the historical record?

Thapar maintains that neither animal was indigenous to India. He introduces the theory that hunting parks, restricted forests, and royal zoos were the locations of these exotic animals. However, “references to hunting parks are not easily discernible in the early texts, but they seem to be obliquely mentioned in the Arthashastra of Kautilya, a text on political economy” in the fourth century before the Christian era (BCE). The language of texts presented little clarification to the issue. For example, sher in Persian means lion, but in Urdu it means tiger. So did writers document lions when in fact they were tigers? Thapar indicates that the Mohenjodaro seals did not depict the lion, nor did early cave paintings, whereas the tiger was shown in picture form “everywhere.”

The likely source of lions introduced into India, Thapar says, “could have been Balkh/Bactrica” (in Turkmenistan), moving to Afghanistan and then into the southern part of the Hindu Kush and Pamirs. “Speaking impressionistically, it would seem that the lion arrived on the Indian landscape at the period when Mesopotamia, Iran, northwestern India and the Oxus Valley had close connections around the Achaemenid period” when Alexander the Great traversed the region.

Thapar suggests that “Indian royalty [and the British] continued to import, tame and release lions into their game parks from which some inevitably escaped.” Because they were tame, they were generally shot “with very little trouble.” “I believe that the lion was an irresistible and magical creature and an alien imposter in the land of the tiger” and “those who ruled the land kept the myth of the Indian lion alive for over 2,000 years.”



The cheetah, “commonly known as the Indian hunting leopard … is neither a leopard nor is it particularly Indian.” People that had tamed the cheetah remarked that it was “dog-like in its docility.” Although “cheetahs across the world have so little genetic variation that the analysis of its subspecies is an issue that remains unresolved” Thapar believes they came to India as gifts and were imported by land and sea from Africa and Persia.

Moreover, in his argument that cheetahs are not indigenous to India, he states that “the Indian wilds were not suitable for the cheetahs” and that “the cheetahs could never have coexisted with the tiger in India as each would have required its own ecological niche.” It is only in the 12th century that “we begin to find mention and visual depiction of hunting leopards or cheetahs.” As with lions, the cheetahs, he believes, spread from palaces and hunting reserves to commonly being sold on the streets as exotic animals. He says, “at least 1,200-1,500 cheetahs could have been imported into India [possibly from Kenya] in the twentieth century to facilitate royal hunts.”

Thapar presents, at the end, 10 conclusions that “can be clearly stated” about the lion’s presence in India – and likewise, 10 conclusions about the cheetah’s presence. The author indicates that this book is not meant to be a scholarly thesis – although it reads like it. Thapar set out to “investigate a mystery” in which the more he read about the history of the lion and the cheetah, the more he pondered.

While sometimes dense, it is an interesting read with remarkable sketches, drawings, photographs, and paintings.




Comments

  1. Asiatic lion review on this book by experts:

    https://mail-attachment.googleusercontent.com/attachment/u/0/?ui=2&ik=55ec913a26&view=att&th=15398758c5d72f93&attid=0.1&disp=inline&safe=1&zw&saddbat=ANGjdJ_EX2CH-eMWLuHlFM6WgqnqtEEM15q2C_NydH-6ZdvM-ovLHTMDLwEIlOqzaQHi0PMS_dkkW3l1gxCu_mzidBXtMmVZalnfQYFnQct8W2eZXH8QuFCI8qor-jZPN97Rc_QGJZ7EZgq86LJlWPS38hgfDAvMqEladZ-rXM9da--LRj7j6963K3Ebz4V_4zfys7qHv4ezVu6096tyDSc6NsEOsE92VSp5ZA81o2Sq92Pae8djhtdWg8oLRDIE5qYDDcYHB3KGAzvgCqjNGfpgZoXVsxc0qEmFkLoPl_5Z5jwzIAifaCnGP2DcY7xwRVjTj8fkm5-sKvTgMCOkhxw64fw5PAKVGftP_lMh3IRS9pzNeqOdDm5dTC4_S29qX2AnWJeuGBDITYROK3gPB0mZxwWVje2KNU5LtOxGp-0-udJRBumwkfiVO_PXOcAobNPYry1f38AVfFmgr6uoOA5o_vqNFZDHWyYOEeuMMUJzx4PC0EIYKfxwwyl1WUmpU-yrcrkTzs1FanhjHCThE6HDD8LU3qch5HHechkPu1Z8ptVXW7tA5pwhoM3StlT7pnR7FVeTYpJb6TzS7oA_fWTva92Ej5m41R3Nkxc8Eu7cY9jLQEmf_mouUg8yMbxdK4QBYZBAl65ERYHFA5wo

    ReplyDelete

Post a Comment

Popular posts from this blog

Pir-E-Kamil - The Perfect Mentor by Umera Ahmed: book review

The Perfect Mentor pbuh  (2011) is set in Lahore and Islamabad in Pakistan. The novel commences with Imama Mubeen in medical university. She wants to be an eye specialist. Her parents have arranged for her to marry her first cousin Asjad. Salar Sikander, her neighbour, is 18 years old with an IQ of 150+ and a photographic memory. He has long hair tied in a ponytail. He imbibes alcohol, treats women disrespectfully and is generally a “weird chap” and a rude, belligerent teenager. In the past three years he has tried to commit suicide three times. He tries again. Imama and her brother, Waseem, answer the servant’s call to help Salar. They stop the bleeding from his wrist and save his life. Imama and Asjad have been engaged for three years, because she wants to finish her studies first. Imama is really delaying her marriage to Asjad because she loves Jalal Ansar. She proposes to him and he says yes. But he knows his parents won’t agree, nor will Imama’s parents. That

The Beggars' Strike by Aminata Sow Fall: book review

The Beggar’sStrike (1979 in French and 1981 in English) is set in an unstated country in West Africa in a city known only as The Capital. Undoubtedly, Senegalese author Sow Fall writes of her own experiences. It was also encapsulated in the 2000 film, Battu , directed by Cheick Oumar Sissoko from Mali. Mour Ndiaye is the Director of the Department of Public Health and Hygiene, with the opportunity of a distinguished and coveted promotion to Vice-President of the Republic. Tourism has declined and the government blames the local beggars in The Capital. Ndiaye must rid the streets of beggars, according to a decree from the Minister. Ndiaye instructs his department to carry out weekly raids. One of the raids leads to the death of lame beggar, Madiabel, who ran into an oncoming vehicle as he tried to escape, leaving two wives and eight children. Soon after, another raid resulted in the death of the old well-loved, comic beggar Papa Gorgui Diop. Enough is enou

Flaws in the Glass, a self-portrait by Patrick White: book review

The manuscript, Flaws in the Glass (1981), is Patrick Victor Martindale White’s autobiography. White, born in 1912 in England, migrated to Sydney, Australia, when he was six months old. For three years, at the age of 20, he studied French and German literature at King’s College at the University of Cambridge in England. Throughout his life, he published 12 novels. In 1957 he won the inaugural Miles Franklin Literary Award for Voss, published in 1956. In 1961, Riders in the Chariot became a best-seller, winning the Miles Franklin Literary Award. In 1973, he was the first Australian author to be awarded the Nobel Prize for Literature for The Eye of the Storm, despite many critics describing his works as ‘un-Australian’ and himself as ‘Australia’s most unreadable novelist.’ In 1979, The Twyborn Affair was short-listed for the Booker Prize, but he withdrew it from the competition to give younger writers the opportunity to win the award. His autobiography, Flaws in the Glass