Araya
Rasdjarmrearnsook’s Storytellers of the Town, exhibited at Drill Hall Gallery
in Canberra, Australia, represents three decades of her work. She exhibits
prints and graphics, but primarily this showcases her video works.
She
draws on her social background from northern and northeastern Thailand, where
she has received several prizes for her artwork. The early prints exhibited in
Canberra show a solitary flower in a barren field, called In Life in the
Landscape (1980), and a print series, called Lao Duang Duan Goes Astray (1992),
of squares with black reverse printing of Thai text.
The
video The Class I (2005) is an eerie production with the artist lecturing
corpses (under sheets) lying on the floor while she paces in front of a
blackboard with the word DEATH on it. This is one of her iconic works.
In
Great Times Message Storytellers of the Town, The Insane (2006), three black
and white videos are playing simultaneously in which a woman sits on a chair
and talks about her life. The three soundtracks merge, but when listened to
individually, the audience realizes that each woman is rambling in a fractured
manner and seemingly out of time and out of place. English text appears, but
even so, it is their voices that tell of their life’s trauma in haunting, fractured ways.
In
the main auditorium are three videos of her Two Planets series (2007-2012).
Each one is on a screen with chairs in a semi-circle so that the audience can
sit and watch. Yet each video shows Thai villagers sitting on chairs looking at
large reproductions of European artworks and commenting on them. The audience
can listen to their interpretations of these works that are, on the surface,
alien to the villagers.
In
a small room in the gallery are another two videos, showing the artist with her dogs watching
television together.
Graphics
around the exhibition are from Araya’s published works. One from Solo
Exhibition National Art Gallery, Bangkok (1995) is the following:
The good girl
tells me tales from her childhood.
The bad girl
allows herself to speak of darkness.
The sad girl
tells the sorrows of fading memory.
The happy
girl cannot contain her joy and creates a pink painting.
The girl with
a secret asks the sea to witness a letter.
The clever
girl uses her students’ old plates to create a work uniquely her own.
The
overarching theme of the exhibition, Storytellers of the Town, which runs from
4 July to 10 August 2014, is one of learning from death, misery, darkness, or
traumatic emotion, rather than from laughter and joy. “It is the ‘moment’ that teaches us,
more so than contentment does, to learn something either about ourselves, or
the problem. That is my concept.”
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