After six years of renovations the Tbilisi Opera and Ballet State Theatre
of Georgia – known as the Opera House – announces its re-opening on January 30,
2016 (Georgian Journal, January 11, 2016).
The Opera House opened in November 1851 under the name Tiflis Imperial
Theatre. Its Italian architect, Giovanni Scudieri (1917-1851) died soon after
construction completed. The luster (chandelier), ordered from France by the
Russian Chief Governor of the Caucasus, Mikhail Vorontsov, was shipped from
Marseilles in France to Poti in Georgia in 12 boxes. From Poti the chandelier
parts were brought to Tbilisi by carriage. It is said that it was damaged
during transportation and had to be ordered again.
French writer Alexandre Dumas wrote in 1856 in his book ‘Adventures in
the Caucasus’ that ‘the balconies were decorated with Arabic carvings instead
of ornaments, the curtain was beautifully adorned, and the stage itself looked
more like a fairy palace, and not because of its expensive decorations, but for
its sophisticated taste … I thought I was at the theatre of Pompey. I have
never seen such an impressive hall of the theatre in my life.’ The curtain he
spoke of was decorated by Grigol Gagarin.
A fire destroyed the theatre in 1874 – including the chandelier and the
curtain. The current Opera House was opened in 1896, seating 1,200 people. This
building too caught fire in 1973. After this fire the building was completely
renovated by architects Leri Medzmariashvili and Murtaz Chachanidze, keeping
its eastern pseudo-Moorish style of Giovanni Scudieri. Chachanidze ordered the
current chrystal chandelier from Austria. It weighs 2,800 kilograms and
consists of 740 lamps.
In 2010 the building was closed for renovations. Over six years, the stage
has increased and more balconies were added to the hall. As well as the
interior, the exterior was also widened. Architect Leri Medzmariashvili kept
the Moorish style in combination with a modern upgrade. The iconic stage
curtain by the painter Sergo Kobuladze has been recreated using cutting-edge
technology from Germany after the original was lost in the 1973 fire.
Interior images
credit: Georgian Journal
Exterior photographs
taken by Martina Nicolls
MARTINA NICOLLS is the author of:-
The Shortness of Life: A Mongolian Lament (2015), Liberia’s Deadest Ends
(2012), Bardot’s Comet (2011), Kashmir on a Knife-Edge (2010) and The Sudan
Curse (2009).
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