The Wooden Village:
Rivers of Babylon 2 (2008) is set in 1992 in Bratislava, before
the ‘Velvet Divorce’ when the Slovaks broke away from the Czechs, and is
now the capital of Slovakia. Near Bratislava is the village of Nova Ves – now a
suburb of Bratislava. The reference to the wooden village is a collection of
wooden huts as living quarters behind the Ambassador-Racz Hotel. It is the
second part of a trilogy – the first part, Rivers of Babylon (2007) featured a
gangster and hotelier called Racz, and the third novel in the trilogy is The
End of Freddy (2009).
There are a motley
crew of characters, but the novel revolves around a handful. Racz, the gangster
and businessman makes a brief appearance, with his former mistress Silvia
Hronska, returning to her liberated homeland from Austria, whom he knew as a
dancer in his hotel. Silvia now wants to start a Perverts’ Club.
Martin Junec is an
American-Slovak returning to his homeland to explore business opportunities and
to find a Slovak wife. Feri and his wife Erzika are toilet cleaners whose
fortunes rise and fall with the involvement of Lady, a sex worker. Freddy
Piggybank (real name Mestanek), who works in the Ambassador-Racz Hotel car
park, loves Sida who works for Silvia. There are drunks and poets and police
officers and the Slovak psychic Hruskovic.
Martin Junec was an
electrician and saxophone player in his homeland. He had a wife, Mafa, and a
son, Oliver. When performing in Norway he sought political asylum and then
moved to America to live. He is now a naturopath, astrologer and Artisania Lamps
entrepreneur. Divorced from Mafa, he met university professor and
anthropologist, Edna Gerschwitz, in America. While he travels to Bratislava,
she is working in Papua New Guinea.
The lives of this
group are anything but usual or normal – it is a village of exploitation, sex,
perversion, poverty, alcoholism, kidnapping, brutality, and unscrupulous
business deals. The characters, setting, and plot are not pleasant, and it is
not an interesting novel, except the last 20 pages. Surprisingly, the ending is
neat, all threads are tied together, the outcomes of each characters’ lives are
explained, and everything is rather ‘normal.’ The best sentence in the book is
the last one: ‘His days will be as lovely as a field of flax.’
MARTINA NICOLLS is the author of:- The
Shortness of Life: A Mongolian Lament (2015), Liberia’s Deadest Ends (2012),
Bardot’s Comet (2011), Kashmir on a Knife-Edge (2010) and The Sudan Curse
(2009).
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