Modern
Being: Australian Mid-Twentieth Century Art and Design exhibited at the Art Gallery of South
Australia in Adelaide features
work from Australian artists and designers who favoured abstraction and
functionalism in design.
These artists, including Inge King
(1915-2016), Ralph Balson (1890-1964), Grace Crowley (1890–1979), Clement Meadmore (1929-2005), Robert Klippel (1920-2001),
and Douglas Snelling (1916-1985), were preoccupied with the modern human
experience. They experimented with new materials and simplified methods of
production and manufacturing that influenced built forms and Australian
interior design. This exhibition includes paintings and sculpture, as well as
ceramics, textiles and furniture.
The display presents key examples
of the optimism of Australia after World War II when visual artists and
designers broke away from past conventions. They embraced modern industrial
design, such as arc welding, indigenous art, and holistic design.
The exhibition includes Clement
Meadmore’s Cord Chairs (1953), Ralph Balson’s 1958 Painting, and Inge King’s
Blue and Yellow (1985).
Top image: Grace Crowley, Abstract painting (1953)
MARTINA NICOLLS is an international
aid and development consultant, and the author of:- The Shortness of
Life: A Mongolian Lament (2015), Liberia’s Deadest Ends (2012), Bardot’s Comet
(2011), Kashmir on a Knife-Edge (2010) and The Sudan Curse (2009).
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