Mother Russia (1992) is a fictional historical love story set in Russia
during the time of the Tsarist regime and revolution, finishing with the
Gorbachev government. Anna Larionova is the daughter of a Count and Sasha
Volynin is the son of a peasant.
The novel starts with Count Fyodor Larionov, a land owner, about to commit
suicide due to the rumours of dissent and revolution by the workers on his
estate. He had had enough.
The novel explores the life of Fyodor’s daughter and who supports or
doesn’t support her love of a peasant boy from the neighbour’s farm. Sasha
becomes a poet and novelist, while his brother Ivan becomes a ruthless Soviet
commisar who believes that ‘the Cause is greater than the people.’ Anna and Sasha’s love
is challenged by personal tragedies, political events, and violent family
rejections.
The novel is about the human capacity to love through adversity and
resentment. But there are intriguing moral dilemmas and ambiguities which
reveal the actions of optimistic lovers and pessimistic doubters.
The novel is fraught with tension, which is depicted through conversation
and also through non-communication – those in the family who do not speak to
each other. There are historical themes, such as Jewish history, Russian
culture, aristocracy and communism, religion and marriage, and ongoing
political changes.
The Booker Prize winning author Bernice
Rubens (1928-2004) presents a factual account of Russian history throughout the
novel. Although born in Cardiff, Wales, her father was a Russian Jew. She worked
at the University of Wales and as a freelance film director and script writer. Her
best-known book is probably Madame
Sousatzka (1962), made into a film by John Schlesinger, starring Shirley
Maclaine.
As dense as War and Peace, with an
exceptionally small font, this novel takes awhile to get into, but once in,
there’s no turning back. This novel is a terrific epic read.
MARTINA NICOLLS is an international
aid and development consultant, and the author of:- The Shortness of
Life: A Mongolian Lament (2015), Liberia’s Deadest Ends (2012), Bardot’s Comet
(2011), Kashmir on a Knife-Edge (2010) and The Sudan Curse (2009).
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