Rivers of London (2011) is set in London in contemporary times. Peter Grant
is a probationary police constable called to duty when a murder occurred on the
steps of St. Paul’s Church in Covent Garden, London. The first witness he interviews
about the murder of William Skirmish is the 120-year-old ghost of Nicholas
Wallpenny. When viewing the CCTV footage, the police have two suspects. The
ghost has told Grant that there was only one person – the murderer changed clothes.
So what does Grant do?
With the help of his female partner, Police Constable Lesley May, and his
new boss, Inspector Thomas Nightingale, the action takes them along the rivers
of London. Grant has a good sense of smell, and May is good at checking facts
on the police database. Grant gets his first lesson in magic in the
laboratories with Nightingale. Here readers learn of vestigium (the trace of clues), tactus
disvitae (the smell of anti-life), dissimulo
(the hidden), and in fact the Principia
Artes Magicis (the Principles of the Art of Magic).
Aaronovitch wrote two serials for the BBC ‘Doctor Who’ series, and his
novels are enormous best-sellers. Rivers of London, the first of the Peter
Grant police series, is difficult to classify. It is part police thriller, part
fantasy, part magical realism, part scientific, and part travelogue. I am not a
fan of the magic genre, and this novel has not convinced me to be a fan. Yet, I
liked it.
Rivers of London is witty and humorous with a distinct style and language,
especially the voice of Peter Grant. It blends traditional police
investigations, procedures and problem-solving (realism) – which I like – with a
bizarre sense of the unreal (magic) – which
I don’t like. However, I particularly like the way Aaronovtich sets a very
vivid pictorial view and history of the streets, shops, river, bars, and
churches of London.
But I am still not convinced. That’s because setting police investigations
in the phantasmagoria means that the writer can conjure up any solutions to a
‘crime’ - no matter how far-fetched and fantastical. Overall there was nothing
memorable about the plot – but the main character and the location were
memorable (London is the real star in this novel). And it’s too long. It needs
an edit. Nevertheless, I would highly recommend Rivers of London to readers who
love a well-crafted yarn with a unique experimental style that is very
readable.
MARTINA NICOLLS is an international
aid and development consultant, and the author of:- The Shortness of
Life: A Mongolian Lament (2015), Liberia’s Deadest Ends (2012), Bardot’s Comet
(2011), Kashmir on a Knife-Edge (2010) and The Sudan Curse (2009).
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