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The Lady and the Unicorn by Tracy Chevalier: book review



The Lady and theUnicorn (2005) is set in Paris, France, and Brussels, Belgium, from 1490 to 1492 – the two years of the painting, design, and weaving of the series of six wool and silk tapestries for Jean Le Viste, a nobleman of King Charles VII.

Artist Nicolas des Innocents has been commissioned to design the concept pictures for the large tapestries to be hung in Jean Le Viste’s Grande Salle (Great Hall) in his residence at the rue du Four in the suburb of Saint-Germain-des-Pres in Paris.

Nicolas is entranced by Jean Le Viste’s young daughter, Claude. But Nicolas is a womanizer and has already impregnated Marie-Celeste, a servant working at the Le Viste household. Claude also, mischievously, has eyes for Nicolas. So do most the of women he comes in contact with – both in Paris and in Brussels at the home of the weavers who are employed to turn Nicolas’s painting into the tapestries.

This is a work of fiction. Little was known of these famous tapestries that now hang in the Cluny Museum in Paris. Using references and a vivid imagination Chevalier recreates what could have occured throughout the creation of this masterpiece – the time series of the seduction of the unicorn – drawing it next to and closer and closer to a lady until it rests in her lap. In fact it is more than one lady and more than one unicorn for they are in each of the six tapestries.

The novel imagines how the concept of the unicorn and the senses originated for each tapestry: Sound (the unicorn is facing away from the lady), Taste (the unicorn is near the lady but not looking at her), Smell (the unicorn is next to the lady and looking at her), Sight (the unicorn rests its front legs on the lady's lap), Touch (the lady touches the unicorn's horn), and A Mon Seul Desir (My Sole Desire). The order of the series has never been conclusively determined.

Master weaver – the lissier Georges de la Chapelle – has been a weaver for 30 years. With his son, Georges Le Jeune, his family and hired weavers, they work tirelessly on the task, including Le Jeune’s blind daughter, Alienor, who tends a garden and is the flower advisor for the background of  millefleurs (thousand flowers). Two years of hard work has given the master weaver ‘a head of gray hair, a stoop, and a squint.’

Nicolas makes subtle changes in the design to reflect the relationships he has with women during the two years – such as Claude and Alienor. So why, when it’s finished and hung does he feel that he had ‘got all the Ladies wrong?’ The unveiling of the tapestries is during the party celebrations for The Feast of St. Valentine – and the announcement of Claude’s engagement.


The novel has multiple narrators, such as Nicolas des Innocents, Claude Le Viste, Genevieve de Nanterre (Claude’s mother), Georges de la Chapelle (master weaver), Philippe de la Tour (artist working for the weaving family), Alienor de la Chapelle, and Christine du Sablon (Georges Le Jeune’s wife). The novel is interesting for its creative assumptions, the work of a commissioned painter and designer, the life of a weaving family, and the expectations of the tapestry owner – all woven together to culminate in a series of scenes, rather than a total masterpiece.








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